Focal Dystonia | Pain affecting musicians | Publications | Conferences
Focal Dystonia (click here to access the dystonia research page)
Focal dystonia is characterised by an involuntary and painless task-specific loss of control of one or more digits of the hand. On this picture, the guitar player is unable to control his right ring finger. The finger tends to curl into the palm of the hand involuntarily.
Recent research in neurology has shown that the condition is associated with
changes in areas of the brain involved with the control of movement, and especially distortions in the representational zones of the digits in an area of the somatosensory cortex. The reason for these neurological changes may be due to the highly repetitive and almost simultaneous finger movements that musicians have to practise.
Dystonia is a very difficult condition to treat successfully, and recovery is more often partial than complete. Many musicians affected by dystonia are unable to continue their professional career.
However, several treatment protocols exist, aiming at reversing these neurological changes taking place in the brain. Patrice has completed a research study with a few bagpipers, two guitar players, two flute players, and an oboe player affected by focal hand dystonia. The first study was completed in 2010, and the 4-year long-term follow-up of this study was completed in March 2012.
Both studies have now been published in the journal "Medical Problems of Performing Artists" (list of publications). Click here to access the dystonia research page.
Development and validation of a self-report instrument to measure musculoskeletal pain in professional orchestra musicians in Scotland
(click here to access the pain research page)
The Performing Arts Medicine literature has grown substantially since 1980, and several prevalence studies on the topic of playing-related musculoskeletal disorders (PRMDs) affecting musicians have been carried out around the world among professional orchestra musicians. Very few of these prevalence studies have used existing validated questionnaires measuring musculoskeletal pain and, when did, no attempt was made to evaluate or confirm the validity and reliability of these instruments in a population of musicians.
The main aim of this study was to develop a questionnaire designed specifically for professional musicians that could be used to measure pain and its impact on playing a musical instrument. A second aim of the study was to gain an insight on the extent of muscle and joint problems among professional musicians from three major orchestras in Scotland, i.e. the Royal Scottish National Orchestra, the BBC Scottish Symphony Orchestra, the Scottish Chamber Orchestra.
The study has been completed in August 2013, and the final results should be available in the winter 2013-2014. You can now read and/or download the abstract. Click here to view the abstract.
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